Friday, October 7, 2022
The conditions laid out in the following document dated 29.10.2021 form an agreement to manufacture and distribute recorded product by and between Sound Base Music, Steffen Kuschel, Nikolaistr.20, 04109 Leipzig, Germany (hereinafter “Licensee”) and: Brendan Hooker O'Connell, 605 West Street, Pittsboro NC 27312, USA (hereinafter “Licensor”) Both parties agree to the following: 1) The recordings referred to in this agree are the following: Artist: EMO HEADACHE Tracks: -Psychotic Breaks -Iron Man (Speedcore Remix) -Immortal Virus -Live Wire (Kick Ass Speedcore '21 Remix) -C0V!D-19 Karaoke 2021 -Scene Girl 2) Form Of Release : 12“ Vinyl and Digital 3) Licensee Territory : the world (exclusive) 4) Royalty Rate: -U$ 0.50 (fifty cents) per initial vinyl record sold -Any royalties/advances paid in respect of digital sales and sub-licensing will be split 50/50 between both parties (Licensee/Licensor), payable once yearly 30 days after Dec 31 5) Period Of License : 10 years, ending 28.10.2031 6) Advance payment (non-refundable): U$100.00 (one hundred) 7) All amounts due incl. advance payment will be made to Licensors paypal address: ccompass@gmail.com Agreed, signed and dated: Leipzig, 29.10.2021 Pittsboro, Oct 29 2021 _____________________ _____________________ Steffen Kuschel Brendan Hooker O'Connell
DUKE SCHOLAR @ ST. JOHN'S UNI
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About this track
This is a NOISE GENRE mix of clearchannell radio bounced to tape, then having the tape buried in mud and mire (literally), dug up after three days, bounced into my D.A.W. (Digital Audio Workstation), passed through sequencer distortion (Which is what I use on the majority of tracks I make for MBR), and presented to you succinctly in a MEGAMIX format. It's like an am radio half a cent off air playing after the holocaust, when freaks of nuclear nature scavenge for flesh and blood to satisfy their Cretanous deviancy and desire for gluttonous satiation. As if a beast could feed on anything more? This is THE CHAIRMAN!!!
People in the small circle of our own Movement at that time showed a certain amount of anxiety at the prospect of such a conflict. They wanted to refrain as much as possible from coming out into the open, because they feared that they might be attacked and beaten. In their minds they saw our first release on Minos Battery Recordings broken up and feared that the Movement might thus be ruined forever. I find it difficult to defend my own opinions, which are, that the conflict should not be evaded, but that it should be faced openly and that we should be armed with those weapons such as MACE as the only protection against brute force. Terrorism cannot be overcome by the weapons of the mind, but only by counter-terror. The success of our releases in NOISE strengthened my own position. The producers felt encouraged to arrange for a 11100010101000010100 on a somewhat larger scale.
lyrics
"LIFE IS ONE BIG QUESTION WHEN YOU'RE STARING AT THE CLOCK"
credits
released April 21, 1985
Shouts out to Viral Conspiracy Records' Mattias Travanglini, Legs Akimbo Records' Neil Paul Richardson, Slime City Records' Scat Injector, and whoever else has helped my NOISE GENRE project to succeed.... Thank you! Oh, and shouts goin out to little emo kids out there, with nothing better to do than listen to shit out of date electronica... fix up mate! Shouts out to all the jungle/dnb heads out there too - yeah, I bet yr bandwagonesque ass could actually produce shit that good - EAT IT!
TGIF
Blue Balls
by CARUSO ON LEFTOVER CRACK
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